Print Cromer 2026 entries
| ID | Item 1 Title | Short description of first item, 50 words | Upload Image of first item | Item 2 Title | Short description of second item, 50 words | Upload Image of second item | Item 3 Title | Short description of third item, 50 words | Upload Image of third item | Anything else? |
|---|---|---|---|---|---|---|---|---|---|---|
| 64 | Book Cover | Mono Print on old Linen mounted book cover | https://cromer-artspace.uk/wp-content/uploads/2026/02/ff-116ca5cd1e80419be9c3a7402d7e6a97-ff-IMG_9335.jpeg | East Sussex Coast II | Collagraph print of found shapes along the East Sussex coast. | https://cromer-artspace.uk/wp-content/uploads/2026/02/ff-20dfe514df9161852bb75225d5693c7d-ff-IMG_9038.jpeg | Doorway Series 2 I | Abstraction of the found shapes of a church doorway. Collagraph Print | https://cromer-artspace.uk/wp-content/uploads/2026/02/ff-da4b88b105ae8f85d3a7d2f3a3d255b2-ff-IMG_9568.jpeg | |
| 75 | Cromer collage | Summer and of sunshine, Christmas swims off the pier: a long-ago childhood in Cromer. Crabs in buckets, sandcastles flying brave flags, white net gloves Nanny insisted on. Giant waves, ice cream on the front, and the steadfast Henry Blogg lifeboats. This screenprint gathers together those salt-bright, magical memories. | https://cromer-artspace.uk/wp-content/uploads/2026/02/ff-f0fc83d72a35cea9ca7a20406cbf47fe-ff-Cromer-screenprint.jpg | |||||||
| 88 | Museum Musings | Wandering around a local museum, I mused on the “found” objects displayed. From desperate times and places. Artefacts that once belonged to someone else. It is a variable, limited edition linocut print | https://cromer-artspace.uk/wp-content/uploads/2026/02/ff-46afc3e46f627f73ceccd444df76787e-ff-Faye-Sheel-Museum-Musings.jpeg | |||||||
| 959 | Down on the Farm | This is a photographic image recently found and revisited. I found some farm toys in the attic and took some different images of them, playing with scale, size aspect. I think that the image suits the 'Found' title of the exhibition. It is printed out A3 size but is not framed at present. | https://cromer-artspace.uk/wp-content/uploads/2026/04/ff-33787ebea7a9b3f176f2b1115a4e9bbb-ff-IMG_20260325_151343060_HDR2.jpg | On the Corner of the Street | A photographic image of Dolls House furniture taken on a street. A4 size printed out photographic image, Matt finish, unframed | https://cromer-artspace.uk/wp-content/uploads/2026/04/ff-f25771b03fed432fe5bb68de2afbd91f-ff-original_1d4b60be-9210-434f-89d6-deb9f6832e1a_IMG_20260217_113727048_HDR.jpg | ||||
| 1276 | Leipziger | In my general practice as a visual artist, I occasionally find interesting photos, postcards etc. often vintage, and make watercolour paintings based on the imagery. These are transference prints made from those original paintings. ( from an old postcard found in Leipzig). 17x12 cm. (Ed.5) | https://cromer-artspace.uk/wp-content/uploads/2026/04/ff-fbe15a0b5a87c30c2ca9a903cef8b31e-ff-IMG_1124.jpeg | Snapshot from a Shore Leave | In my general practice as a visual artist, I occasionally find interesting photos, postcards etc. often vintage, and make watercolour paintings based on the imagery. These are transference prints made from those original paintings. (From an old photo of sailors in WW2.) 13x14 (Ed.4) | https://cromer-artspace.uk/wp-content/uploads/2026/04/ff-8595c7f62613f597cf76b0fd2e07fcbc-ff-IMG_1125.jpeg | Mother and Child | Mother and Child In my general practice as a visual artist, I occasionally find interesting photos, postcards etc. often vintage, and make watercolour paintings based on the imagery. These are transference prints made from those original paintings. ( based on a photo of refugees WW2). 9x9 cm (Ed. 6) | https://cromer-artspace.uk/wp-content/uploads/2026/04/ff-5f38ee1e731d12f1b99ff04002b8e56c-ff-IMG_1126.jpeg | |
| 1285 | Bent out of Shape | Bent out of Shape consists of of 4 A2 Intaglio Dry point etches hanging from a metal mobile. These prints have been distorted and bent by the use of a measuring tape. | https://cromer-artspace.uk/wp-content/uploads/2026/04/ff-2ad903aecf9ad990a59e0e7a04995360-ff-IMG_3905.jpg | Eat Your Words | Eat Your Words is a lino relief print series that is of a female figure, showing a series of phrases inside her stomach. | https://cromer-artspace.uk/wp-content/uploads/2026/04/ff-52011d78da353dcbd4166250dcd9cce2-ff-IMG_3868.jpg | Served | Served is a series of intaglio dry point etchings that contain found collage materials cut out into letters, using a chine colle technique. I have a multitude of different versions, all containing different phrases. | https://cromer-artspace.uk/wp-content/uploads/2026/04/ff-a9c96fddbd2b9c65e865e1605d7d309a-ff-20250410_171125.jpg | |
| 1299 | Blue Willow Pagoda | Photopolymer print of a fragment of willow pattern embellished with monoprint of willow leaves ( 15x15 cm 30x30cm framed) edition 2/3 £90 (framed) | https://cromer-artspace.uk/wp-content/uploads/2026/04/ff-263dda6d7437c4d61e3ad251f8dc8b6d-ff-zeadybluewillowpagoda.jpg | Unearthed Goddess | Photopolymer print of a fragment of a pot of Holloways Ointment depicting Hygeia the goddess of health ( 15x15 cm 30x30cm framed) edition 1/5 £90 (framed) | https://cromer-artspace.uk/wp-content/uploads/2026/04/ff-c257b8b3e389b188702845e289c663c9-ff-zeadyunearthed-goddess-.jpg | A Shard of a Fable III | Photopolymer print of a fragment of willow pattern embellished with chine colle (15x15 cm 30x30cm framed) edition 1/1 £90 (framed) | https://cromer-artspace.uk/wp-content/uploads/2026/04/ff-8861f87c5619ad4560d7b5d80b5b6366-ff-zeadyfable-III.jpg | |
| 1316 | Lovesters | I love the idea that deep on the sea bed two lobsters find each other and mate for life! Very endearing! Not sure it’s true but we all love a bit of romance! The print was made from paper cut outs and screen printed and embossed on Somerset paper. | https://cromer-artspace.uk/wp-content/uploads/2026/04/ff-165b53941fbc386b60115be16c3ec816-ff-IMG_7079.jpeg | |||||||
| 1327 | Canada's Maple Route In The Fall | I use found and discarded paper that has acquired marks over time, kick-starting my creative process. I respond to and augment the marks already there. I am drawn to found images that have both personal and universal meaning. Recurring images (Iris, leaf, horse) are altered and re-represented. | https://cromer-artspace.uk/wp-content/uploads/2026/04/ff-098164c0851cc41232c7d85018a21868-ff-Canadas-Maple-Route-In-The-Fall.jpg | Drinking From The Cup | This work was born out of seeing the work of Mapplethorpe and Fink. Their work moved me so much it was inevitable found images of the Iris, Maple leaf and horse made an appearance in my own work, but in unpredictable, unique and surprising ways. | https://cromer-artspace.uk/wp-content/uploads/2026/04/ff-9bf69b4ef18c35ff7f455030476c2d42-ff-Drinking-From-The-Cup.jpg | Nod to Miro | As well as utilising the pre-existing marks on found and discarded paper, I am drawn to and make use of the suggestibility and chance inherent in printmaking, in particular mono-printing. I also favour mono- (& lino) printing because these printmaking processes are inexpensive, user-friendly and readily available to everyone | https://cromer-artspace.uk/wp-content/uploads/2026/04/ff-991ff79d53a5460c2f71209d2f97a307-ff-Nod-To-Miro.jpg | All 3 works are mounted and framed in a simple black frame. True to mono-printing, each piece is unique. There are no editions made. All 3 pieces (including the frame) measure: 42cm x 59.4cm. |
| 1332 | Maelstrom | 'Maelstrom' (screen print) is a visceral abstract image of the carnage of war, which is sadly all too prevalent in this era. Yet, the white light at the centre suggests that hope may eventually be found at 'the end of the tunnel'. | https://cromer-artspace.uk/wp-content/uploads/2026/04/ff-4361857422d5d4439ad5d73f1de29866-ff-Alan-MacKenzie-Maelstrom.jpg | Hello Darkness my Old Friend | This image, a screenprint, tries to capture the ambiguity felt when two old friends or former lovers, find each other after a period of separation. The initial euphoria is tinged with a darker undercurrent. | https://cromer-artspace.uk/wp-content/uploads/2026/04/ff-b6b4dc903cc703ba0bf2fbb2365cf1a1-ff-Alan-MacKenzie-Hello-Darkness-my-Old-Friend.jpg | Separated at Birth | 'Separated at Birth' is a screen print/monoprint suggesting that siblings or twins separated at birth who subsequently find each other will 'slot together' as matching halves. | https://cromer-artspace.uk/wp-content/uploads/2026/04/ff-93e628310e7a49d39535fccc9987d8c2-ff-Alan-MacKenzie-Separated-at-Birth.jpg | |
| 1344 | Beached Seaweed | Mono-print on handmade paper - 30cm x 40cm | https://cromer-artspace.uk/wp-content/uploads/2026/04/ff-17b3cd2a0de6eb51ddac953c4844d7a5-ff-IMG_0284.jpg | Beachfront | Mono-print/printed collage - 30cm x 21cm | https://cromer-artspace.uk/wp-content/uploads/2026/04/ff-ab7cd8434aba61398517921916f8b5cb-ff-IMG_0285.jpg | Rising Sand | Mono-print - 21cm x 30cm | https://cromer-artspace.uk/wp-content/uploads/2026/04/ff-d9089f489992edbd0ae22b6e3c4593b7-ff-IMG_0287.jpg | |
| 1390 | Relic: Dabberlocks 1 | In Relic, Dabberlocks is gathered as drift and treated as excavated material— displaced and marked by passage. Preserved through contact with the plate, the seaweed appears as recovered surface rather than specimen. The series adopts an archaeological mode of looking, attending to trace, residue, and the partial survival of form. | https://cromer-artspace.uk/wp-content/uploads/2026/04/ff-68cce6bfc80982b30d3395083bd027ab-ff-Relic-Dabberlocks-1-Portia-Knight.jpeg | Relic: Dabberlocks 2 | In Relic, Dabberlocks is gathered as drift and treated as excavated material— displaced and marked by passage. Preserved through contact with the plate, the seaweed appears as recovered surface rather than specimen. The series adopts an archaeological mode of looking, attending to trace, residue, and the partial survival of form. | https://cromer-artspace.uk/wp-content/uploads/2026/04/ff-1d4b2a9863d9817808bda08af39e91e1-ff-Relic-Dabberlocks-2-Portia-Knight.jpeg | Relic: Dabberlocks 3 | In Relic, Dabberlocks is gathered as drift and treated as excavated material— displaced and marked by passage. Preserved through contact with the plate, the seaweed appears as recovered surface rather than specimen. The series adopts an archaeological mode of looking, attending to trace, residue, and the partial survival of form. | https://cromer-artspace.uk/wp-content/uploads/2026/04/ff-5b5d519408506e982596bbb58e514c3e-ff-Relic-Dabberlocks-3-Portia-Knight.jpg | Work will be framed in a simple white moulding and glazed with low reflection UV filtered glass. |
| 1402 | Abandoned | This print is a mezzotint measuring only 5x6 cm. I wanted the abandoned or lost object to feel precious by whoever found it. Mezzotint is an old and delicate technique, which I felt matched my intention of it being something special to find. | https://cromer-artspace.uk/wp-content/uploads/2026/04/ff-7c274caa8e834365917e14539d510d1c-ff-Abandoned.jpg | |||||||
| 1409 | Broken Water | Looking over the small wooden bridge onto the island I notice the reflections on the water. The interplay with the floating leaves as well as the movement of the sparkling sun are captivating. | https://cromer-artspace.uk/wp-content/uploads/2026/04/ff-2427ad16dc2efd08b5f7eb8033a59d26-ff-IMG_3425.jpeg | Twilight Song | The lake is enchanting at dusk, birds are singing and the it’s a real treat. The ‘inbetweeness’ has always interested me, when reality can become abstract and sharp lines become blurred. | https://cromer-artspace.uk/wp-content/uploads/2026/04/ff-966f71ee9901af9c4361a02723ec07ff-ff-IMG_3426.jpeg | Chalk Stream Secrets | I am fascinated by the chalk stream which feeds the lake. I’m no scientist but it feels very special with the extra minerals and properties helping to nourish the lake. | https://cromer-artspace.uk/wp-content/uploads/2026/04/ff-1fc9c78af7bce3c099027508f620a34e-ff-IMG_3423-2.jpeg | Monoprinting using my own stencils and largely my own collage papers is my preferred method. I like the spontaneity and individuality of this method. Every print is unique. |
| 1414 | Dog with Ball Etching ink on Hahnemuhle Paper | The dog has found it’s ball. The collagraph has been made using found objects , including tetrapak, fruit net & chine collee. Actual printed area 16cm x 18cm Framed mount. 30cmx 36 cm | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-27d2ff312f3a8e0774dec598cd90f5e8-ff-Dog-with-Ball-under-3mb.jpeg | Wild Atlantic Mono Screenprint with Lino | This image is of cliffs on the Loop peninsula, about an hour south of the famous Cliffs of Moher. It was a holiday destination for our family for many years and this scene depicts part of our daily walk. Even today, if I need to relax, I close my eyes and find myself . Actual print area 19cm x 26 cm Frame mounted 32cm x 42cm | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-e3f931b961838b5559bcb137eb2cee26-ff-Wild-Atlantic.jpeg | ‘Dreamland’ Mokulito/Lino | I have used a lithography process on plywood, with etching ink and watercolour, and linoprint. Birds see further and fly farther than we see or go. They find places we can’t find and may only imagine. Actual print area 29cm x 22cm Black Frame 42 cmx 32 cm | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-ea11f18e403e9be584ac10ace6611496-ff-Dreamland.jpeg | Each print will be mounted and framed in a simple black frame. |
| 1422 | Deritus 6 | Monoprint on tissue. Part of a print series of discarded items | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-51cf52004117367d5dd734e99bef4384-ff-Detritus-6.-Alison-Bernalpg.jpg | |||||||
| 1423 | The Man in the Stripey T Shirt | This is a small edition reduction lino and carborundum print. I wanted to create a feeling of tension in the print with the man looking bemused and slightly anxious. What was he looking at , we don’t know but I wished the image to portray the uncertainty and chaos of the world we find ourselves in right now. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-b3539bb2ab058c25da194fe9c1f60521-ff-The-Man-with-the-Stripey-T-shirt.-Reduction-method-lino-.-30-x-30-cms-2025.jpeg | The Hungry Man | This black and white lino was inspired by a man I saw ferociously eating a rundown café in Kings Cross, London. I wanted the image to be stark, so I used just black and white to print it, and used different lino cutting techniques to enhance and contain the image. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-28f879e6af664b9ce7d8498dd971edef-ff-The-Hungry-Man.-Lino-29-x-35-cms.jpg | The Green Men and Still Life | This image is inspired by “The Still Life with Lamp,” Picasso. I used different media for the image, Lino, stencils, carborundum, reverse Perspex print printing on acetate film and gold sparkles. The vase was inspired by Greek Amphora and is a lino print, the Green Men are printed Ion paper by the reverse Perspex method, and I used the symbology to create rebirth and growth as I did with the pomegranates to symbolise fertility. The tulips were printed on acetate so I could create more layering effects on the print. This is a monoprint, but I printed 3 in slightly different colour ways with different effects. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-ecb128dbdcae667ae12311b2913717b5-ff-The-Green-Men-and-Still-Life-Monoprint-with-Lino-stencils-carborundum-reverse-perspex-print-and-print-on-acrylic-sheets.-35-x-45-cms.-copy.jpeg | Barry entered as Hilary has technical issues |
| 1435 | Wreck | Mixed media collage of gel printed found objects inspired by virtual reality film of Western Australian wrecks in Geralton. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-5f67b2db6fb30ed431cdd76cf336761a-ff-Wreck.jpg | Into the Dawn | Gel plate monoprint of found imagery of old ships carved by knife into ships' timbers used in our alleyway | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-aa8502829d4701cdd9dd1c37ae26bfa8-ff-Into-the-Dawn.jpg | Ships Passing | Gel plate monoprint of found imagery of old ships carved by knife into ships' timbers used in our alleyway | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-0447d63d0fcb574c9966dc8eff15c492-ff-Ships-Passing.jpg | Browser images: Ghost Ships 25 cards: I saw three ships |
| 1439 | Threshold | Watery tales of East Anglia, where whole towns are drowned, reflect its location on the threshold of land and sea and suspend us in this liminal space. My floating figure is cut into cardboard before adding found textures of fabric and thread to create a collagraph print. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-d72fb1fd3677ecc571d8dd50ecda78c7-ff-AmyHunter_Threshold.jpg | 19cm wide X 30cm high unframed. ( Slightly larger framed) | ||||||
| 1440 | Evening Stroll | Evening Stroll is a variable edition linocut with stencilled monoprinted colour, inspired by the moment I found a hedgehog going for a wander in my back garden. The image was developed through drawing and collage. 10 x 15 cm on Kitakata paper. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-83bca7c764ed81b0db71afe9f21dccc7-ff-lisa-takahashi_evening-stroll300.jpg | Papaver Rupifragum | Papaver Rupifragum is a woodcut based on a poppy picked by Private Cecil Roughton from a front-line trench near Arras, northern France, in 1916. The work responds to the flower’s translucent, preserved form, interpreting its fragile beauty through woodcut printmaking. Woodcut on Masa, 40 x 32.5 cm. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-bb4c9c1949ddd4bbe971c5e658ce846b-ff-papaver-rupifragum.jpg | Lacock Abbey | Lacock Abbey is a woodcut depicting the Abbey entrance and the shifting autumn light experienced on a visit. The work explores the interplay of illumination and shadow across the architecture, translated into carved marks that capture its dramatic, fleeting forms. Printed on Kitakata paper, 22 x 28 cm. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-7e4616c047385d3598f8f12e7663afd9-ff-lacock.jpg | |
| 1442 | Little Devil in the Greasy Pot | This mysterious little creature materialised while I was experimenting with monoprint,oil and water. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-86ecc4a6e6a83833f1691858d9611ee8-ff-little-devil-in-the-greasy-pot.jpg | |||||||
| 1443 | Footsteps from the Past | Steeped in history, which travels back through time to before the ice age, and where medieval travellers stopped to rest on their way to Norwich. A recent discovery has unveiled significant importance to the place as part of the pilgrimage to Walsingham. This woodcut depicts the passing place at Wrongs Covert. Size 24cmx34cm framed. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-97a1767d2be9459cf711782a46adafd5-ff-Footsteps-.jpg | Beaver | This woodcut was created to honour the discovery of a pair of wild beavers which decided to make their home at Pensthorpe park, the first free- living beavers in Norfolk for 500 years. Printed on Somerset satin, size 40cm x 46cm framed. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-c5c5ee9e1d92f667b4bda1fd4735d262-ff-Beaver-jpeg.heic | Water Beaver | This woodcut is part of a series of prints to celebrate the arrival of wild beavers to a park in Norfolk, November 2025. Printed on Somerset satin, size 28 x 38 framed. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-3b4e83cd9f1ef70dbce35ca5104ee5a6-ff-Water-beaver2.jpg | |
| 1447 | Dead Ash I 2025 Photogravure on Fabriano Tiepolo 290 gsm paper Image 20.2 x 19.8 cm Paper 32.5 x 36 cm Edition of 7 | With a vintage Polaroid camera I record ash trees lost to dieback that I find when walking in the countryside around my home. The polaroids are then made into photopolymer plates for my series of prints which are influenced by PH Emerson and his 19th century photogravures of rural Norfolk. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-33e60b92e988d3f0b5229a579cb2b36a-ff-AnnaHutton.DeadAshI.jpeg | |||||||
| 1448 | Laboratory 1 | The interior of an abandoned laboratory in the Orford Ness site that was used as a nuclear weapons, research development and testing site. The ruined nature of the building echoes perfectly the nature of the discoveries that were made there. 36cm by 28 cm framed. The print itself 29cm by 20.5cm Print 1 of 12. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-77eaeec307fa38a6acb5757730edfcef-ff-etching-orford-xx.jpg | |||||||
| 1450 | Cromer beach, 5th February '26 | This winter I spent a week in Cromer ArtSpace. I used that time to listen intently to the sea and reproduce those sounds in print. My print captures the sound of the sea as I crouched behind the pillbox, out of a deluge of sand, on the 5th February. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-fbeee449113c0b42636155eda7a46d30-ff-Cromer-beach-5th-February-26.jpg | |||||||
| 1467 | ‘Antler’ | ‘Antler’ is an original linocut print measuring 10cm by 8cm, printed on Somerset paper by hand using a wooden spoon and Slama. The Artist has a keen interest in prehistory, inspiring this linocut of a human hand from the distant past digging through dirt with an antler they found. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-fc49bcf78bd0143d54056fa9d173dc58-ff-Untitled_Artwork-54.jpeg | ‘In the ground’ | ‘In the ground’ is an original linocut print measuring 12cm by 8cm, printed on Somerset paper by hand using a wooden spoon and Slama. The Artist has recently begun metal detecting, exploring the thrill of found objects buried for a thousand years through her art. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-19d654600289ca8bbd8c36a144cf129f-ff-Untitled_Artwork-32.jpeg | ‘The Mariner’ | ‘The Mariner’ is an original multiblock linocut, 20cm by 15cm, printed on Somerset paper by hand using a wooden spoon/Slama. The Artist grew up fishing with her Dad and her time spent on Vancouver Island/the South Coast inspired this gruff fisherman holding a fish he pulled from the sea. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-6064a78df7c714317825e8bf84067586-ff-Untitled_Artwork.jpeg | All linocut prints are able to exhibited framed or mounted. |
| 1480 | Where the Sea Remembers | Light breaks through a turbulent coastal landscape shaped by erosion and human intervention. Inspired by failed sea defences at Caister-on-Sea, fractured gabion cages and drifting debris surface among layered marks and organic lines. Shifting forms blur memory, matter, and shoreline, revealing a fragile boundary between resilience, loss, and renewal. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-d57ee3fcce963b6f1ccc76c40bbfba1c-ff-1.jpg | Between Tide and Memory | This unearthed Norfolk seascape drifts between reality and recollection, shaped by unseen tidal forces. Found objects and sweeping marks conjure an otherworldly atmosphere, where textures gather and dissolve. Open spaces contrast dense passages, revealing erosion, movement, and the delicate, shifting traces left by the ever-changing dialogue between land and sea. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-1f754075901e89584527bf7aa011a1e0-ff-2.jpg | What the Tide Leaves Behind | Altered textures and gathered forms shape a personal narrative of discovery and quiet transformation. This atmospheric shoreline reveals driftwood and debris carried ashore by the tide. Found materials collected from Norfolk beaches become symbols of pollution, sustainability, and the fragile balance between nature and human presence. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-6fa456cfd7af92793c5a8b72a20d3810-ff-3.jpg | needed with my submission. Image 1 and 2 are drypoints and image 3 drypoint and mono print. They are all 16x11 inches, all the best, Rebecca |
| 1490 | Housework | Drypoint print A4size | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-a5985e03ac19ac7fa69abda0057a4f6d-ff-IMG_20260508_163216857_HDR3.jpg | |||||||
| 1538 | Tidal Flow Finds | In this piece, I used seaweed collected from the beach at Cromer. I inked up a metal plate and arranged the items trying to replicate how I’d found them. I then took an impression. I made the other printed images from drypoint plates. Adding dried seaweed to complete the piece | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-fa8d895f5ded02c83b8f69173d4b9a04-ff-89783E7B-4036-4282-9270-1B7A278A1F1F.jpeg | Discovered, Discarded | This evolved from a drypoint image inspired by winter hedgerows. I added some discarded twigs, which I carefully arranged over the inked plate. To represent fallen matter I intentionally placed some beyond the image. I printed this then inked up some natural fibres which I then attached to the image. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-397d442ae685912df28f36d166d6e28f-ff-B8397E58-6377-4B4D-A768-E2F9C6892F21.jpeg | Revealed Rhythm | First I made three drypoint plates from drawings of tree branches. I specially made the shaped plates. I arranged the inked plates in a particular way before adding the inked natural fibre. Which creates a flow between and links the individual images. I then printed the arranged plates and fibre. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-2af4643472b9aebbf8ab48a475a7320c-ff-D8E6CD62-CB62-42D3-9E7F-8CDAC47926D1.jpeg | The print Tidal Flow Finds will be mounted onto board so it can be hung. It won't frame edges as such. |
| 1541 | Designer Flotsam | Collagraph/Drypoint/Chine-colle A ‘find’ prompted response to your brief. 35cms x 27 cms ( Designer Flotsam) ‘I’m keeping you Washed up on the seventh wave My Cinderella shoe. You have the raging sea withstood the designer’s brand decipherable ‘Vivienne Westwood.’ Stylish Cinderella shoe beached pollutant now my curio I’ll be saving the oceans from you! | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-d96fc68631ab4feae9536f9c527e5280-ff-IMG_1404.jpeg | |||||||
| 1554 | The Forgotten Toolshed | Recently I have been experimenting with using lino to create rust and concrete textures. This is an image of rusty tools found in an old toolshed not used for many years. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-b72da5b5939c0b62ab6c406eae815759-ff-The-Forgotten-Toolshed.jpg | Inhospitable Landing | Walking out of Minsmere RSPB Reserve onto the beach, you find yourself suddenly confronted with a series of contorted, stumbling concrete blocks gradually falling into the sand. These were built during World War II to create an "inhospitable landing" for potential invaders. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-4298017e727e8c6c608b837b300c8354-ff-Inhospitable-Landing.jpg | Cleaning the Windows | It is surprising what you find when you look up in city streets. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-5080778b23127edb6a9d9aff307b2609-ff-Cleaning-the-Windows.jpeg | |
| 1555 | Drawn to the Light (The Conductors) | Drawn to the Light (The Conductors), 2025 50 x 40 cms Monoprint This work forms part of a series of monoprints which express mood, rhythm and energy. Drawing loosely, intuitively on to the plate reveals something unexpected, personal, universally human and unique. I find meaning through the act of making. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-5b48ac58ce0bdad783c8bf10eaee5693-ff-IMG_3760.jpeg | Finding Rhythm I | Finding Rhythm I, 2025 50 x 40 cms Monoprint This work forms part of a series of monoprints which express mood, rhythm and energy. Drawing loosely, intuitively on to the plate reveals something unexpected, personal, universally human and unique. I find meaning through the act of making. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-44b6288e34c4caa2502895771d4c78e2-ff-IMG_3764.jpeg | Finding Rhythm II | Finding Rhythm II, 2025 50 x 40 cms Monoprint This work forms part of a series of monoprints which express mood, rhythm and energy. Drawing loosely, intuitively on to the plate reveals something unexpected, personal, universally human and unique. I find meaning through the act of making. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-a5602fd97e4be9aa6b0943ebedad0be9-ff-IMG_3768.jpeg | |
| 1556 | 'January 2026. Geese seen creating havoc through a gap in the hedge in a newly planted field on the road towards King's Lynn' | Reduction lino print A3 on Japanese paper | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-b0d7087c9f42634e4a754142075d2d3b-ff-goose.heic | |||||||
| 1559 | Mixed Bunch | The relief, solar printed layer of plants in ‘Mixed Bunch’ acts as a window through to the Eco print paper, I selected colours from this paper for the inks I’ve used, adding layers of chine colle and linoprint. Searching my garden I found small plants to balance the prints dimensions. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-3f5a4d01a428fcd3f6199e838ab231b4-ff-mixed-bunch.jpg | |||||||
| 1563 | Red Hand | Whilst tidying out an old drawer in the studio, I found a bag of old latex gloves which were past their useable condition. But such a find, if not used for their intended purpose can be found to be interesting in a simple creative way. Monoprint on paper | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-14e50e062cb6b2b1ee276c298093d61d-ff-Red-Hand-26.jpeg | Waving | Whilst tidying out an old drawer in the studio, I found a bag of old latex gloves which were past their useable condition. But such a find, if not used for their intended purpose can be found to be interesting in a creative way. Three old hands forever waving Monoprint on paper | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-9866efbfc4418e0d3d4692fa7ed8fd33-ff-Waving.jpeg | Glovely | Not everything found is pretty. Whilst tidying out an old drawer in the studio, I found a bag of old latex gloves which were past their useable condition. But such a find, if not used for their intended purpose can be found to be interesting in a creative way. Monoprint/collage on paper | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-9b2792b069afdf286ad30cd202ae2c58-ff-Glovely.jpeg | Keeping all ungloved fingers crossed for a positive response! |
| 1564 | Found in the hedgerow | A framed mono print (15x12") of plants found in the field edges as I walked the countryside. Using acrylic paints and a gelli plate I am able to build layers to capture a memory of time and place. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-4cb943b65d1e76e4788f98b2acbcfb6a-ff-Found-in-the-hedgerow.jpg | Found in the hedgerow too | A mono print (framed 15x12") of found "weeds" from the hedgerows and field edges as I walked in the countryside. Using acrylic paints and a gelli plate I am able to build the layers to capture a memory of those moments. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-35700b7827f99f021fbdb363d672f829-ff-Found-in-the-hedgerow-too.jpg | ||||
| 1576 | Pier Weather | Gathering shells from the sand, watching shifting skies, and looking out towards the horizon, this linocut explores the experience of finding emotional connection through the landscape. Inspired by familiar coastal rituals, the work reflects how peace and nostalgia may be found beside the sea. Multi-block linocut print on Fabriano 5 paper with oil-based inks. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-a9ed70294ecc5ea65ee853abb6c2d026-ff-Melissa-Lhoirit-Pier-Weather.jpg | Flow across the Meadows | Inspired by peaceful moments spent beside the river, this linocut reflects the search for stillness and the importance of finding time for reflection. The quiet riverside atmosphere creates a space where meaningful and restorative moments can be found. Multi-block linocut print on Fabriano 5 paper with oil-based inks. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-5992b2453cee76d19d48076f2c8732f7-ff-Melissa-Lhoirit-Meadows.jpg | ||||
| 1578 | Sanctuary | This two block varied edition linocut print tells the story of my visit to Lincoln Cathedral. I was struck by the many layers of history and all the people through time who had found peace and sanctuary within those walls. But what I was fascinated most by was the fact that a pair of peregrine falcons had decided that they had found safety and sanctuary too in this ancient ancient place. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-2f9cde195d71e34b1703422c54126e7e-ff-inbound8520861183815602662.jpg | |||||||
| 1579 | From Scrap | Using old bits( car parts?) to monoprint with, dyeing re dying, printing layering. On calico. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-3a38392552a58814cba8030eed8a9e84-ff-AE6FDE7C-88F5-40B7-866B-A8B2A14A2CE3.jpeg | Dronemurmuration. | Using stencils and charcoal dust on Japanese paper. Pollution of the skies | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-6061aa4cc9789add8c6c89c0ced8ba21-ff-54FE4ECA-4B2C-4D11-9965-0CADB47C12C7.jpeg | Gash | I monoprinted onto tracing paper and found I had a crease down the middle, this accident suggested further additions …and interpretations. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-03dbd533b4c23810becb5f1cc8ed42cd-ff-1C6337B4-E0EB-4E57-BC85-D68BE0642311.jpeg | |
| 1580 | Sedimentary Strata - drypoint | Thousands of years of the earth’s history to be FOUND in an exposed cliff face – layers of sediment, compressed over time remaining unseen for millennia and now ready to be discovered. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-38b1d9cde56e9904943a30c864263b48-ff-Sedimentary-Strata.jpg | Torcross Strata - drypoint | FOUND at Torcross Beach, Devon - evidence of the powerlightly differently of the earth, contorted and twisted layers of rocks are now worn smooth by the power of the sea. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-f935e02fbff6af5a53d7ffc3f46e02ab-ff-Torcross-Strata.jpg | Sand Ripples - drypoint | Fleetingly FOUND on the seashore following the ebbing tide – only to be washed away and recreated slightly differently time after time. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-28f7a1edf2838ccfab19994f52bb5357-ff-Sand-Ripples.jpg | |
| 1581 | Duality | Duality Copperplate Etching Image Size 20 x 30 cm Frames Approx A3 £240 Two available Finding strength in a duality of identity, a process of recognising opposing forces, unlearning societal expectations, to create a more resilient, multifaceted sense of self. Finding the time to discover the depth of my identity. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-2a09ac1f5929ed840752192302279002-ff-Duality_2025_etching.jpeg | Strength | Strength Linocut Image Size 11 x 11 cm £45 framed Strength to find the right love. Arm wrestling, or beginning an embrace? Finding the strength to love oneself, to allow love from another. Observing the ambiguity between a "struggle" and "embrace" allows one to find a connection. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-19f62898b0a658d273069fe10addd82c-ff-Strength_Lino_2026.jpg | ||||
| 1600 | Hanging Out with the Birds | The found object is a brand new but disintegrated dishcloth discovered after laundering. The art explores the hung out to dry dishevelled appearance of the dishcloth when made into a Lino-cut and printed on top of a chine colle collection of bird book pages and grass monoprints. Contemplation on the throw away nature of our society with the cloth only lasting one wash and it going out the window "with the birds". | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-c2ecdf9b0ddb8cf8b3a6ab386c3441d7-ff-P1050361.jpg | Landing in the Ferns | An exploration of a found disintegrated dishcloth, turned Lino-cut print, using the layered background of mono-printed ferns from the garden. This yields the idea that even though we ( the dishcloths of this world) are discarded and no use, we sometimes land in a beautiful place to end our days and return to the earth. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-0e936b448359620e56c1bb9873ab58e6-ff-P1050359.jpg | Japanese Jump up | An exploration of a found dishcloth discarded and destroyed after one wash. The strong image was redescribed in a Lino-cut, printed on top of some sumptuous Japanese paper. The 'Japanese Jump Up' heightens and extends it's life, flying high like a Japanese lantern. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-6cc2f99f5dbf5f93f9e1ec023327b79f-ff-P1050355.jpg | The statement "See what Mary can do with that!" was all I needed as a challenge to explore the possibilities of a one time used and then disintegrated dishcloth. We were in the middle of a long snowy Canadian winter and needed some fun. It was time to play and the play resulted in a huge series of mono-prints and Lino-cuts. On a serious note we are all concerned with the one use, throw away attitude of merchandise manufacture these days. This is a look at that! |
| 1601 | Stones | Watercolour monotype Some of my extensive collection of stones found on North Norfolk beaches | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-a9c2225c50164d3b4afe4744dc5d875d-ff-AE6D1B18-DCDD-4043-BAF7-59DF568120B4.jpeg | Blackthorn | Watercolour monotype The first Blackthorn found this year in a freezing February wind | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-ff6a1611816cd3bb07dbcb7c169fd87a-ff-image.jpg | ||||
| 1603 | Holding Back the Years | A reduction linocut featuring a favourite spot we have visited as family for many years. I recently found an old photograph, and if not for the faded colours, it could have been of my grandchildren playing in the water there yesterday, not my own children 40 years ago. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-118a1eb0abb2a896146f68678da3459c-ff-Holding-Back-the-Years-Gill-Thornton-1.jpg | Final Mooring | A reduction linocut Inspired by three abandoned rowing boats found rotting away in reedbeds behind Southwold Boating Lake. Obviously discarded long ago, they were the last thing I was intending to feature in a print, but called to me not to be forgotten. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-4188027144415a38d47ebf8ff840ee25-ff-Final-Mooring-Gill-Thornton.jpg | ||||
| 1610 | Rising Tide (1) | Soft ground etching using beach finds, with chine collé printed with found wood grain. Unique print (variable edition) Image 20 x 20 (36 x 36 framed) | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-d42320bb4f5eba66bed7ba8cb2e5cf94-ff-Rising-Tide-1.jpeg | Washed Up | Soft ground etching using beach finds, with chine collé printed with second etched plate Unique print (variable edition) Image 20 x 20 (36 x 36 framed) | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-2db523d019b629952e56752f2aa55ca5-ff-Washed-Up.jpeg | Rising Tide (2) | Soft ground etching using beach finds, with chine collé printed with found wood grain. Unique print (variable edition) Image 20 x 20 (36 x 36 framed) | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-0c1df8dba71d891c69e794d91851a7ac-ff-Rising-Tide-2.jpeg | |
| 1612 | They don’t see you as I do | This is a gel print on mixed media paper. This piece is about finding yourself through friendships and finding connection. The text is from the song ‘Ben’ by Michael Jackson and was played at my friend’s funeral. This piece is a dedication to him. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-615f82d8e9c81e62792e69674f511b83-ff-Photo-from-Nicola.jpeg | Found in the Static | This is a gel plate mono print on mixed media paper. It links into the 1st piece about finding friendship and connection. The red represents the clear version of yourself that a friend ‘finds’ amidst the noise of everyone else’s misconceptions. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-ebdbd2197ba4e23b359a7877f06bbc9a-ff-Photo-from-Nicola.jpeg | Shared Thread | Gel plate mono print on mixed media paper. Linked to the other 2 pieces. This print focuses on finding connection and discovery. The loops map out the connection and empathy that grows when someone finally sees you for who you are. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-236a2ebc67f2d07c1a1c7b5895e8f79d-ff-Photo-from-Nicola.jpeg | |
| 1620 | Above the Fields 4 | Drifting above the fields, I find the land's quiet grammar: the stippled spread of crop, the line of track, a dark block of worked earth. Collagraph and chine collé layer mark upon mark, as aerial observation becomes excavation. Found patterns pressed into print, the familiar made new, from height, found. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-14147fd47bf2a9997ce1c6285a2ec46a-ff-Su-France_Above-the-Fields_4.jpg | Above the Fields 5 | A pale ochre field, a dark rectangular block of mark: the land sectioned and scored from above. Above the Fields 5 finds meaning in the imprints of cultivation: the repeated lines of drill, the edge where worked ground meets bare earth. Collagraph and chine collé make the unseen found. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-5167ce3f673e8ab891d01a32cf8a8138-ff-Su-France_Above-the-Fields_5.jpg | Above the Fields 6 | From altitude, the earthy red of turned soil reads as archive. In Above the Fields 6, collagraph builds layers of agricultural marks: drill rows, field edge, furrow: discovered through the printing process itself. Chine collé holds the cultivated ground, paper becoming found land, each pass of ink a new unearthing. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-f3aa042c54f131729951e2b83f89aef4-ff-Su-France_Above-the-Fields_6.jpg | The works uploaded are currently unframed. They are collagraphs on Somerset paper, with chine colle. They will be float framed with a black riser and a black frame, with art glass. |
| 1629 | Fractured Landscapes (70mm) | A small collection of 10 very tactile 70mm layered paper pieces. Each piece is printed from materials found on the beach, some are hand coloured with watercolour and embellished with metal leaf. They are not landscapes, but they could be. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-8226177e3c387b58fbea3d404f4fbfbb-ff-IMG_7538.jpeg | Fractured Landscapes (40mm) | A small collection of 10 very tactile 40mm layered paper pieces. Each piece is printed from materials found on North Norfolk beaches, some are hand coloured with watercolour and embellished with metal leaf. They are not landscapes but they could be. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-3e1618e80c4dff5c4c25eebf6fca09bc-ff-IMG_7538.jpeg | Beach fragment multiple sampler. | Five joined 40mm layered paper pieces. Each piece has four 12mm prints. Each print is taken from a square cut from materials found on North Norfolk beaches. It can be displayed hung up, or flat or folded like a small concertina book. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-c0370022ac75a153302dc8eeb3040229-ff-IMG_7569.jpeg | All pieces are unframed, and items 1 and 2 can be displayed in a small pile or heap. Item 3 can be displayed on the card it is supplied with, hung, or like a small concertina book. |
| 1630 | Fractured Landscapes (70mm) | A small collection of 10 very tactile 70mm layered paper pieces. Each piece is printed from materials found on the beach, some are hand coloured with watercolour and embellished with metal leaf. They are not landscapes, but they could be. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-8226177e3c387b58fbea3d404f4fbfbb-ff-IMG_7538.jpeg | Fractured Landscapes (40mm) | A small collection of 10 very tactile 40mm layered paper pieces. Each piece is printed from materials found on North Norfolk beaches, some are hand coloured with watercolour and embellished with metal leaf. They are not landscapes but they could be. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-3e1618e80c4dff5c4c25eebf6fca09bc-ff-IMG_7538.jpeg | Beach fragment multiple sampler. | Five joined 40mm layered paper pieces. Each piece has four 12mm prints. Each print is taken from a square cut from materials found on North Norfolk beaches. It can be displayed hung up, or flat or folded like a small concertina book. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-c0370022ac75a153302dc8eeb3040229-ff-IMG_7569.jpeg | All pieces are unframed, and items 1 and 2 can be displayed in a small pile or heap. Item 3 can be displayed on the card it is supplied with, hung, or like a small concertina book. |
| 1631 | Orford Ness | Artist book started on and developed from a Dawn to Dusk workshop on Orford Ness. Monoprint, collage, found object. Concertina fold, 27x30cm. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-66d15adca8ce8071796aa7b59a3d9c68-ff-IMG_9115.jpeg | |||||||
| 1632 | Salve-ation | Before I realised what was happening, I had just lost myself. I was numb. Something wasn’t right, so I spoke to my GP. It was Peri-menopause. That secret, hushed ‘women’s issue’. I had spent years not feeling like me anymore, and then with HRT I was suddenly found again! A miracle – a salvation! | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-6d35f8fb12ae7b1dd78815a7f9c39fcd-ff-Salve-ation.jpg | Beach Finds | I’ve always found thrill in making small discoveries at the coast. A love of beach-combing was passed down by my mother - even now we can spend many happy hours with necks bent, scouring the sand for twinkles of treasures – whether it’s interesting shells, stones with holes in, sea glass or man-made finds. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-fe325e3c4cb4dc0f10ecf1413910dac0-ff-Beach-Finds.jpg | I have no special instructions for hanging. All my frames are plain, modern and white and have D-rings on the back. Frames are approx. 34 x 29 cm | |||
| 1633 | Finding Echoes | This concertinaed piece is about finding echoes. It's about finding out about the world; as globe, as history of trade routes, as shelves for knowledge, or movement of people - as part of a much bigger universe. Perhaps finding new space up there somewhere? (Etchings. Displayed as concertina approx 46cm x 18cm x 16cm) | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-dfea063ec9866bb3f1978d1016ce2db7-ff-Russell-Finding-Echoes.jpg | What I Found | I tried to find a way to draw what I had found; seaweed, driftwood, and washed-up rubbish. And then MONSTER TRUCKS - moving vast tumbling rocks across the beach - mounds of defence piled up high. They were trying to find a way to protect the land from the sea. (Drypoint print. unframed image size 29cm x 42 cm) | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-59233174bf6935e3a9762b24dfb7a998-ff-Russell-What-I-found.jpg | One Finds the Other | Just what you expect to find by the sea - an arcade. A little weathered, a bit forlorn, built in a different time. Ambiguous landscape where man-made meets water. Where shapes and spaces don't make sense. One finds the other. (Drypoint print. unframed image size 29cm x 42 cm) | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-324743e9c62b8b2a6dd2cef96a514079-ff-Russell-One-Finds-the-Other.jpg | Please note 'Finding echoes' sits freely on a surface without a frame. My bank account is in the name of Ruth Harold. |
| 1634 | Imagined Landscape | A used medication box is ripped open and repurposed as a printing plate for this Monoprint. A slither of discarded printer’s scrim is placed across the plate. This is a found, imagined landscape made intuitively with expressive marks. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-733a67146d430a32427099af027c10ca-ff-IMG_1343.jpeg | |||||||
| 1636 | Three Windows,One Journey | This is a triptych of drypoint etchings inspired by train journeys. They are windows into the found passing views of landscapes. I use photography as a starting point for my monoprints, helping me define shapes. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-7e7a151d815de3c85e7f49d9252c5200-ff-IMG_2561.jpeg | |||||||
| 1638 | My grandmother Doris, Drypoint and lino on antique linen | Two prints which are both from a photo of my grandmother, from 1920. This image of her, just before having her long plait cut to a trendy bob, evokes lost family memories, the linen surface felt a suitable surface, found in my favourite shop in Norwich, Oxfam on Magdalen Street. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-8434af7e4c2db4a9f2b24f626f2809ec-ff-Frances-Martin-My-grandmother-Doris-Drypoint-and-lino-on-antique-linen.jpeg | Doris in 1920, Drypoint on music score | An alternative, a single drypoint print on some found music sheets of songs from the same era. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-fe85ade954906d9929300dd2a6d5de21-ff-Frances-Martin-Doris-in-1920-Drypoint-on-music-score-2MB.jpg | My grandmother Doris in 1920 | Another alternative, the subject in lino print form, looking directly back to the viewer, finding a family story, engagement through time. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-1b961e47da9d7867cb975ce42c91973d-ff-Frances-Martin-My-grandmother-Doris-in-1920-Lino-print.jpeg | I like the dual print on linen, but have also submitted the two prints separately, in case either might be preferred singly. The print on linen would be float mounted, the others would be shown framed in a window mount. |
| 1639 | 25 Tombland | 12x12cm, Soft Ground Etching, 2025 This small etching takes a different angle on the well known gate that leads towards Norwich Cathedral. Rather than focusing on the expected, I often find my eye is drawn to a smaller area, a shadow or a locked door that intrigues me. Here I found inspiration in the dappled light of a small birch tree, the multiple little windows and different textured surfaces. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-4ffa498181e59134c51688d9086a9c47-ff-PXL_20250812_140931431.jpg | |||||||
| 1644 | Mare Ditat XIV | Last summer I spent two weeks drawing on the beach in Sheringham, recording changing sea, the waves rolling in. I was particularly interested in the breaks caused by the groynes and the changing light. The Mare Ditat Series were made back in the studio from the drawings. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-92cd49b34cb62947b156de8fecd968b0-ff-Mare-Ditat-XIV-Monotype-Michelle-Avison.jpg | Mare Ditat IV | Last summer I spent two weeks drawing on the beach in Sheringham, recording changing sea, the waves rolling in. I was particularly interested in the breaks caused by the groynes and the changing light. The Mare Ditat Series were made back in the studio from the drawings. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-6f54f2652a36e1d6ecd0fa613232312d-ff-Mare-Ditat-IV-Michelle-Avison.jpg | Mare Ditat III | Last summer I spent two weeks drawing on the beach in Sheringham, recording changing sea, the waves rolling in. I was particularly interested in the breaks caused by the groynes and the changing light. The Mare Ditat Series were made back in the studio from the drawings. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-c31c4dd2f0dce230fcb2c025e557febf-ff-Mare-Ditat-III-Michelle-Avison.jpg | |
| 1645 | St. Nicholas', King's Lynn | Lino Print, 148 x 210 mm, on Card. Print of St. Nicholas' Chapel in King's Lynn, Norfolk. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-4e6ef8f349dccc6a5ce9cc229201bbc4-ff-St-Nicholas.jpg | All Saints' Church, Norwich | Lino Print, 148 x 210 mm, on Card. Print of All Saints' Church in Norwich, Norfolk. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-f13169cd58b95f1906ebe5a56d324dd4-ff-Norwich-1.jpg | Greyfriars' Tower | Lino Print, 148 x 210 mm, on Card. Print of Greyfriars' Tower in King's Lynn, Norfolk. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-504699bf9b10e271d06f0b29b701c018-ff-Greyfriars-2.jpg | |
| 1646 | Metamorphosis Reduction lino cut 40 x 30 cm (w x h) £150 | A man goes for cosmetic surgery to enhance himself in the eyes of the world: adds bits to his anatomy, tattoos, false parts, extra limbs. Gradually over time he morphs into a creature that is a fantasy: no longer human, he writhes in pain and torment. Inspired by Kafka's story of a man who wakes up one day transformed into an insect. To find ones inner self and identity the creature is finally born and no return shall be permitted. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-a10a0dfd171076c326342e6327e54b9c-ff-metamorphosis_fernando_feijoo.jpg | Descent into Darkness Wood engraving 8 x 10 cm (w x h) £150 | The tree acts as a gateway to another portal. What is hiding behind the door? What lies beneath the shaded graveyard? Inscribed into the door is a message - Abandon all hope, you who enter here | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-19bea03cd26e731a3d409cdaed7171b7-ff-Descent_into_darkness_Fernando_Feijoo.jpg | Enter the Labyrinth Etching Diptych 30 x 20 cm (w x h) £250 | As time passed he found the secrete doorway hidden behind old tangled vine branches and leaves. As he pulled these apart the door opened allowing him passage through and into the unknown labyrinth. Finding it was one thing , getting across would be his greatest challenge. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-adcac085b2baeaa42210647a6190fd9e-ff-enter-the-labyrinth.jpg | |
| 1647 | Reed Remains | The remains of a beautiful reed found lying rotting on a broad land edge. This once beautiful and graceful reed would’ve swayed and danced to the rhythm of the wind having been caught in a summer breeze. Once lost, now found, its beauty is celebrated again. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-65dfbbbaeb5d211331eb3e9c213977d4-ff-IMG_1402.jpeg | Seed Remains | On closer inspection, seeds appear scattered all around the fluffy heads of reeds. They are there ready for the pecking birds. However, when the wind blows the seeds circulate into the air exploring their freedom until they nestle into fresh soil. A new home is then found. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-50f1791ba2a49487eea6cb5eaae717cb-ff-MG_4948.jpeg | Both the images are mono prints collaged together on watercolour paper. | |||
| 1649 | Millstone Fragments Postcard size ,unframed /unmounted | Found Limestone fragments from High Peak Trail used in collograph plate construction. Composition - A nod to the Mill Stone wheels of the area. Print details - Collography and embossing on Fabriano paper, Hawthorne Open Inks. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-237f5db356af90b9d5b3244ac0fef4f3-ff-gysmillstone-fragments.jpg | Millstone Grit Totem Postcard size, unframed/unmounted | In situ drypoint sketch of quarry wall and found grit for embossing and scratching acetate plate. Masked shape printed and embossed suggestive of shadows and historic 'visitors' on quarry wall. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-a9a9bb43fb791e169e56cb88d6936dfe-ff-gysmillstoneGritTOTEM.jpg | Quarry Curios Postcard size, unframed/unmounted | Masked collograph print with free machine stitch embroidery - found quarry fragments masquerading as quarry boulders with insect trails. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-c7fbea70725be773ef190023b3e44bcf-ff-gysQuarryCurios.jpg | All three are just postcard size so could be mounted with magnet, paper hinge on wall or because they are printed on pretty rigid art postcard paper would stand up leaning against any vertical surface/or table top acrylic leaflet holder cum single book display stand if available or flat on a table top- whatever. |
| 1650 | What fades, what remains | Created during my winter residency at Cromer Artspace in February 2026, this cyanotype combines found brick, flint, chalk, sea glass and falling snow. Layering transient and enduring materials, the work reflects on impermanence, memory and trace: what fades, what remains, and the subtle imprints left by human presence and time. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-a633f685be5563224b4f8159a009eaa4-ff-Rachel-Wright_Print_Cromer-1.jpg | |||||||
| 1651 | The Source | The Wensum River is clearly marked on OS maps, but is visually dominated by other man-made features, particularly roads and settlements. Even when walking the Wensum Way, the river is often of sight. This print ‘maps’ its source to refocus our attention the origin on the river that shaped Norwich. biodiversity and as a chalk river This print rises near Whissonsett | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-a9d1a90657f6ad9c248e0fe930fc144f-ff-IMG_6499.heic | Midwinter’s Night | The Wensum no longer throngs with river trade, but old buildings on its banks still play a central role in city life. The Playhouse Bar, in a 18th century malthouse, is a favorite meeting-place even in midwinter. Finding its reflection reminded me of the river’s enduring role in city life. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-b4de1e9668cc28f819f721f583dcb0b3-ff-IMG_6501.heic | ||||
| 1656 | Glaukes | Single block Lino of Greek Glaukes coin, found in Athens, Greece. Printed on acid free paper with archival oil based inks. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-28d4bc52eed3eb9cff2f8cb092b4bb00-ff-IMG_5315.jpeg | Minoan Octopus Jar | Image of a Minoan Octopus vessel found on Crete. Single block Linocut. Printed on acid free paper with archival oil based inks | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-ec98225ea672253b8ee81091bd280719-ff-IMG_1702.jpeg | Hare has Found her Direction! | Single block Lino cut of hare. Printed on acid free paper with archival oil based inks. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-bff84eee2a8ec0f7445f61a4d932528c-ff-IMG_1920.jpeg | |
| 1657 | Alignment no.1 | Found. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-53d6d01ba78f715a0c3db196e1a6489c-ff-L1009440.jpg | Alignment no.2 | nature's way ... confirmation, you are on the right path | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-b8b6a80fec46a70126a3ca5c069e4bea-ff-L1006627_2.jpg | Alignment no.3 | nature's way ... the energy behind being in the right place right time | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-66ea755f652dfc54ead5e5d2ab841325-ff-L1007937.jpg | |
| 1658 | Low tide | This A3 relief print was created using linocut, experimenting with markmaking, colours and textures. The artist was inspired by beach walks, rockpooling and beachcombing which evoked fond memories from her childhood in the Spanish coast. These findings have cemented a bond and new found sense of home with Norfolk. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-609dd47516fb116e90388e1d6f3e5db6-ff-JuliaTriay_Found_Submission-.jpg | The print is A3 size and is not yet framed, but I will make sure that it complies with the framing requirements. | ||||||
| 1661 | Solitaire | Japanese woodblock print on Kozo paper. Image size 25 x 20 cm, frame size 35.5 x 28cm. Reflecting upon the Japanese concept of Ma or emptiness in space ,enjoying rather than controlling the flow of the ink on water, this unique print invites the viewer to slow down, to breathe. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-248a5c21f5729be2b20b0087e3afbe3e-ff-Solo.jpg | Duo | Japanese woodblock print on Kozo paper. Image size 25 x 20 cm, frame size 35.5 x 28cm. Fukinsei is a fundamental Japanese aesthetic principle that celebrates asymmetry, irregularity, and imperfection as sources of beauty. Here the layered curves and chromatic transitions reflect this principal, allowing the forms to interweave. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-6dd756c1a74b84c81dabaa55e22f52e7-ff-Duo-.jpg | Trio | Japanese woodblock print on Kozo paper. Image size 25 x 20 cm, frame size 35.5 x 28cm. Japanese tea bowls are more than simply pottery. They are mirror of history, the very essence of wa-kei-sei-jaku, harmony, respect, purity, and tranquility. I return often to the forms of these bowls . | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-4b382a28bb6787750a4143beab3a19c0-ff-Trois-.jpg | These works will be presented framed but without glass so that the delicacy of the surface, its textural quality and beauty of the hand made, almost transparent Japanese paper is apparent. |
| 1662 | 'Stratigraphy: West Runton' | ‘Stratigraphy: West Runton’ is part of a wider ‘Archaeology Series’ of prints which explore past human and natural activity and the impact on our landscapes today. This piece investigates the exposed geological and sedimentary strata of West Runton cliffs and is informed by using a variety of non-invasive archaeological methods such as fieldwalking, drawing and photography. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-70fc9a971eb951c6e0dc9007e65fc5d4-ff-IMG_2871.jpeg | |||||||
| 1665 | Berserker | Linocut (plate/image size 9cm x18cm) This print is a one from a series of works depicting Fir-thàilisg Leòdhais (Lewis chessmen) pieces. These 12th century objects are part of a hoard discovered in 1831, and named after the Island where they were found. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-33d59cb430274fb48387d89e210fe9f5-ff-JBCBerserker.jpg | Bishop | Linocut (plate/image size 9.5cm x18cm) This print is a one from a series of works depicting Fir-thàilisg Leòdhais (Lewis chessmen) pieces. These 12th century objects are part of a hoard discovered in 1831, and named after the Island where they were found. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-ec3d7a6494beff306e681b2455777e1c-ff-JBCBishop.jpg | King | Linocut (plate/image size 10cm x17.5cm) This print is a one from a series of works depicting Fir-thàilisg Leòdhais (Lewis chessmen) pieces. These 12th century objects are part of a hoard discovered in 1831, and named after the Island where they were found. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-5d6ac7c23be9d51cd95b5fe182ead0bd-ff-JBCKing.jpg | |
| 1667 | Heritage. Framed soft ground etching. | This soft ground etching is of a Edwardian christening gown clearly showing its been moth eatten and torn through age. In contrast to the once beautiful detailed needlework. When I originally printed it in three unique sections, each one looked liked the outline of a newly found coastline. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-cb78e43484b222f344d8e56f3219360f-ff-Triptych-part-1.jpg | Adele's blouse Framed soft ground etching. | Adele's blouse this soft ground etching is of a 1920's silk blouse which I found in a antiques shop. I was drawn to the gentle shape of the collar and soft buttery colour. It was to distressed to be worn so I decided to immortalise it in print. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-cb3df5e9a306031987317e660670f2bd-ff-Adele-2-26.06.16.jpg | Murmaration Framed soft ground etching with chine colle. | This soft ground etching is made up of one off's which I have either found or been given over time from my close female relatives or friends. They are mainly single gloves and other items kept just incase the partner to it turns up! | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-df276fc3e841d4104c5f62867c1928e3-ff-R0001476.jpeg | |
| 1668 | Nostalgia 1. Anglia Square, Norwich | This is the HMSO building, being prepared for demolition in Anglia Square, Norwich. This place had a big influence on me growing up. Finding a couple of Sainsbury's orange cartons to recycle and reuse for these prints triggered mixed memories - grim shopping experiences in the Sainsbury's just opposite this building, which at that point I hated for it's grimy, concrete-rich architecture. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-26277584011c28b0ec1ac0111eb79bc5-ff-Image-1-resize-jpeg2.jpeg | Nostalgia 2. Anglia Square, Norwich | This second print surprised me the most. Finding extreme angles in this specific view of Anglia Square from Magdalen Street sparked in me a re-finding of my youth and formative experiences in this place - my first parent-less trip to the cinema, - the excitement and angst of nightclubbing close by in Ricks Place, and the Jacquard Club in the 80s. What a ride! | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-56304e05ef1b09bab667dff8a9aab358-ff-image-2-resize-jpeg.jpeg | I would like to price these prints at £65 each please. | |||
| 1669 | I found peace. | My father in law passed away before Christmas and I made this for his wife, my mother- in law. He had suffered towards the end of his life and I felt that now he had finally found peace. I associate birds with the afterlife so wanted to create an image that was quite comforting in such a dark time. It is an etching combined with letterpress. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-bd41ab19378a373e8c2d2a0aed224b81-ff-I-found-peace.jpg | 5 minutes Peace | I find peace.. walking in the woods, it's very calming and I always feel better afterwards. I have a busy life with two young children so finding 5 minutes peace is rare to come by but very special when it does. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-1127e6d82570af5249d71ff6f1d47ba1-ff-Five-Minutes-Peace-Monoscreenprint.jpg | Finding the earth | I'm finding the earth/ soil so fascinating!! It's the time of year where I have been planting seeds and then watching them grow up and out of the earth and I'm quite new to gardening so am totatally fascinated by it. When I am stressed, i will go and garden - using my hands and planting is so therapeutic. This is a collograph. It is meant to be a cross section of beneath the surface - and the soil and the energy it has within it. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-bef5f4a54dff6e4d13cc1dd5ddb880c3-ff-Finding-the-earth.jpg | |
| 1670 | Bog Man | Inspired by Laurence Edwards sculpture, this monotype is of a figure rising out of a bog or mire dripping found natural detritus - twigs, leaves, stems. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-1a61528247085d2d0e5576090d772477-ff-BogMan_II.jpg | |||||||
| 1671 | Untitled | "Her face haunted him on the gloomy staircase." Found on page 155 of The Forsyte Saga. Lino print and pen on paper. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-558f157b6b024b68b56d52aaf292b194-ff-IMG_3961.jpeg | Untitled | "The silence broken by invisible steps, the touch on the shoulder cold." Found on page 1?? of The Forsyte Saga. Lino print and pen on paper. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-2f5d97fc2267d2d383381447d2194a24-ff-IMG_3963.jpeg | ||||
| 1673 | Weybourne Hope | These two objects please me due to the similarity of shape between the natural and the manmade. I found them below the coastguard cottages at Weybourne, a favourite place to walk. I chose this quirky drawing style of monoprinting because for me it echoes the nature of the objects themselves. 294 x 240mm, monoprint, Akua on Khadi | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-2a451a6e91ed6233a55373e96efab544-ff-Weybourne-Hope-sm.jpg | shop floor (breaded chicken) | Shopping list found on the floor of the book shop where I work. To me they are a window into a life. This one is almost a diary. Which of my customers was going to eat like this? Spelling mistakes are a bonus. 190 x 130mm, screen print. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-864d56f75858a5c2601053442f8df619-ff-shop-floor-breaded-chicken-sm.jpg | Shop floor (cooking apples) | Shopping list found on the floor of the book shop where I work. Whoever dropped it, had a change of mind about the cooking apples. Why did they no longer need them? What were they going to be used for? 190 x 130mm, screen print. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-b6ef2f426488f43c917cac5fa975e621-ff-shop-floor-cooking-apples-sm.jpg | |
| 1674 | Heirloom I | Linocut print 2025 Print Size 20 x 20cm Framed size 35 x 35cm Edition of 20 Printed on Shiramine Select Awagami Editioning paper £275 Framed and £175 unframed | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-ff9ce3ba9e2ba32463354af672d4e994-ff-Lorna-Kirin-Heirloom-I.jpg | Heirloom V | Linocut print 2025 Print Size 20 x 20cm Framed size 35 x 35cm Edition of 20 (17 available) Printed on Shiramine Select Awagami Editioning paper £275 Framed and £175 unframed This piece was awarded The Society of Wood Engravers prize at the RE International Original Print Exhibition, November 2025 | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-9de0ad2ce3506e2950bb2b945ecb33da-ff-Lorna-Kirin-Heirloom-V.jpg | Heirloom VI | Linocut print 2025 Print Size 20 x 20cm Framed size 35 x 35cm Edition of 20 Printed on Shiramine Select Awagami Editioning paper £275 Framed and £175 unframed | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-6d69a02e02dff04f08b8cb32867bae9b-ff-Lorna-Kirin-Heirloom-VI.jpg | |
| 1675 | Dancing Gently | Carborundum print, framed print 33cm x 42cms | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-043cd30d424f7dc64f630f59c5678305-ff-Dancing_Gently.jpeg | Whistle of the wind | Carborundum print, framed print 32.5cms x 24cms | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-6f23268fbad9d56b379313ae20f15e05-ff-Whistle_of_the_wind_-.jpeg | Earth Awakening | Carborundum print, framed print 40cms x 40cms | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-e558de619de60ca872c85a38fe7ab8f3-ff-Earth_Awakening.jpeg | |
| 1676 | Alsace | Cyanotype made with found materials gathered in Alsace-Lorraine - France . | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-d4f8bfa31e2e35a68327c2074dd534fd-ff-Alsace.jpg | Queen Anne’s Lace | Cyanotype made with found materials gathered in Keswick - Norfolk. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-7bf503411370e86b8ca65e0bbcf333b5-ff-Queen-Annes-Lace-.jpeg | Wild Tulip | Cyanotype made with found materials gathered in Saham Toney - Norfolk. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-5463b3d5b3adf464d9047c3bc77871cf-ff-Wild-Tulip-.jpg | |
| 1677 | Mussel Shell | A mixed media lino relief print of a mussel shell found on the Moray coast, layered with alcohol ink on synthetic paper. While the printed form remains constant throughout the edition, the movement of the ink creates variations within each piece. The work explores repetition, colour and the individuality of natural forms. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-e63857cf1276c1e3896c3880a81fe2ab-ff-Mussel-Shell.jpeg | As I’m based in Scotland, family members local to Cromer should be able to assist with delivery if selected. Following discussion with Ruth, any unsold work may need to be posted back after the exhibition, with postage covered by myself. | ||||||
| 1678 | Wave | Gelli print of twine on scrap paper with watercolour and charcoal details. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-54ae43c7ae43f3aef0d8a3639535f678-ff-IMG_1290.jpeg | Gale | Gelli print of twine on scrap paper with watercolour and charcoal details. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-05b87a4bcf86223b70e4f64028367df0-ff-IMG_1291.jpeg | Both prints are from the same series - regenerate - an exploration of grief through nature, how we find memories and emotions embedded into the wildlife around us. | |||
| 1679 | Thirty ZZZs to fall asleep with. | 'Thirty ZZZs to fall asleep with' is a limited screen print of 30 distinctive Z letterforms I found and selected. A legend lists each typeface's name, designer and year. There'll be various colour variants — including a glow-in-the-dark edition (the ideal bedroom poster). | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-d671ca692c905381fe1227b4bcd2c3e3-ff-B-Print-Cromer-26-FOUND-Photolumniscent-Variants.jpg | Tumbleyhill | An image which has stayed with me. One of the first things I found when I came to live in the rural, as Dutchman cycling over the 'hills' of rural West-Norfolk. A stark contrast to the urban, in which I'd lived for 25 years prior. Soon after, it became the most normal thing in the day. Limited edition screen print. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-6eae6a7a5ff7c95a71c9b0c5a7d821f7-ff-C-Print-Cromer-26-FOUND-Oh-Deer.jpg | 'See it before it dissapears' | 'See it before it disappears' is screen printed in black onto a photoluminescent safety signage sheet (DIN 67510). The lettering charges in daylight, glows in the dark, then slowly fades. It’s set in uniform typeface ‘DIN 1451’ — designed for transport and traffic. This type of sentence is frequently used as an engagement trick by various social media providers. Limited edition screen print. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-4bb32d59f3e5289b0a175f8f15b0bd3c-ff-D-Print-Cromer-26-FOUND-See-It-Before-It-Dis.jpg | |
| 1680 | Wash and Scrub at the Seafront | On an afternoon trip to Cromer in the grey and mizzle with my camera I happened on a broom sticking up upon a fishing boat, the copper domes of the Hotel de Paris beaming through the grey of the background. Monotype gel print transfer in acrylic from original photo. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-7b3be5a2f0cdd2d1605ab1c8003fb1a5-ff-PXL_20260515_205247631.jpg | Lost and Found | The circling of life and death around Cromer Church tower. The Peregrine falcons pluck their prey atop the tower and the ever airborne Swifts snatch the floating feathers from the sky to line their own nests. Reduction print lino. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-f2329b7a799b789a2f7752a8a89f6529-ff-PXL_20260515_212725132.jpg | Moonpie | Our cat Moonpie found her way into our hearts, and often into my arts. A multi layer wax resist gel plate print in acrylics. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-9e7613e8b7bbe38244b107f61afc626f-ff-PXL_20260515_213654185.jpg | |
| 1681 | Chance. collagraph print with oil and cold wax 1/1 (18 x 29 cm) NFS | One of a small series of exploratory works created whilst on an Artspace residency, finding my way with the process, materials and subject- the form and content. An uplifting experience, this inspired new discoveries and possibilities in print and other media and in finding myself as an artist. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-89acd78ddbb663fcbf6d2ed9f3c338e3-ff-PXL_20260515_114242511.jpg | Discovery. collagraph print with oil and cold wax 1/1 (18 x 23 cm) NFS | Inspired by shape, lines, curves and edges; how they meet, align and interconnect, I found myself strongly attracted to the architectural and coastal structures along Cromer Prom, igniting an excitement to explore this very particular landscape, to interpret the surroundings in my own way. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-a2dad644766813140b37a6192f8fde99-ff-PXL_20260515_114738839.jpg | Explore. collagraph print. 1/1 (35 x 21 cm) NFS | Working spontaneously with line work and extraction on the print plates to find and reveal positive and negative shapes with irregular borders, offers me great possibilities for exploration of structures and space, that resonate well with my personal creative themes of balancing freedom with containment. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-252e58580cd2de5062c1d4b023a3debe-ff-PXL_20260515_115141624.jpg | The prints will be framed in simple frames, which will increase the overall size slightly. My artist name is Karen Lloyd and bank account name is Karen Walklin. I don't have a website or social media presence. |
| 1682 | Exhausted | Exhausted is a reflection on the emotional and physical realities of motherhood. The work explores those quiet moments when identity shifts with time, age, and responsibility. It speaks about how personal needs evolve; from ambition and productivity to the simple human need for rest, stillness, and recovery. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-9f0649837e7e6727cd0a345bf6049a6b-ff-5ea46841-b96d-445e-a1d3-d271a40cbcfe.jpeg | Crisis | Crisis reflects moments of mental overload, when thoughts become chaotic and clarity disappears. The work captures the instant before surrendering to rest; a necessary pause that allows the mind to reset. After disconnecting, everything feels lighter, calmer, and easier to face again. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-16d8a569628ccd4e5db9f746c543b088-ff-4eeed577-eb57-4dbc-8794-0ec53896b4b1.jpeg | Palestine | Palestine reflects the emotional weight of empathy and the pain of witnessing injustice. The work explores how empathy can be both a strength and a burden, creating feelings of overwhelm and helplessness while questioning how suffering and injustice can continue to exist in the world. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-35a6babaae8a9507414fc52a7a9c7561-ff-1ecdc2f0-2f71-4ae6-aa92-fa6e55947e4b.jpeg | |
| 1683 | Animal Magnetism | Drypoint, lino-cut, and hand-colouring on recycled handmade paper. The print appears as a battered relic on uneven, highly textured paper. It is presented in a deep wooden printed box frame. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-4d8ec93025b5cf16f425144c17828c8a-ff-Anderson-Jim-Animal-Magnetism-drypoint-lino-cut-and-hand-colouring-on-handmade-recycled-paper-in-printed-box-frame.jpg | Face Book | Lino-cut, carved on an piece of an old pub floor. The artwork is a satirical rendition of a phrase familiar to all of us, in a style reminiscent of a demented children's illustration. Presented in a plain wooden frame. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-f928d8efa6d504738d257b6ccdf20d5a-ff-Anderson-Jim-Facebook-lino-cut-.jpg | The Deep | Collagraph, Lino-cut. and stencil print on handmade recycled paper. Like my first entry, a fragment of imagery on an irregular scrap of handmade paper. Presented in a wooden box frame. | https://cromer-artspace.uk/wp-content/uploads/2026/05/ff-c40941598186022f9b009d9b1355008c-ff-Anderson-Jim-The-Deep-Collagraph-and-stencil-on-handmade-paper.jpg |